Episode 4: "Standin' at the Crossroads"

Locale: Mississippi Delta

This episode explores Depression-era styles including the revolutionary music of Robert Johnson — the single most important country blues artist of the pre-War era. It examines Johnson’s legacy and investigates the “mythology” of the blues, including the battle between the sacred and the secular.

Listeners visit the legendary crossroads of Highways 49 and 61 at midnight on a Saturday night. Interviewees include Eric Clapton, Chris Thomas King, and Bonnie Raitt.

The program ends with a performance by two modern exponents of the Piedmont blues style, Cephas and Wiggins.


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Supplemental Audio:

Cephas and Wiggins Mamie
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George Thorogood (1 of 2)
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George Thorogood (2 of 2)
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Rory Block (1 of 2)
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Rory Block (2 of 2)
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Supplemental Material:

Names Discussed in this Episode
Links courtesy of All Music Guide

Aerosmith, The Allman Brothers, Beck, Chuck Berry, Blind Blake, Rory Block, Ruth Brown, Willie Brown, Jerry Butler, Canned Heat, Eddie Cantor, John Cephas, Cephas & Wiggins, Ray Charles, Eric Clapton, Creedence Clearwater Revival, Bo Diddley, Georgia Tom Dorsey (Barrelhouse Tommy), Bob Dylan, John Fogerty, Buddy Guy, Ben Harper, Jimi Hendrix, Hot Tuna, Son House, Elmore James, The Jefferson Airplane, Robert Johnson, Tommy Johnson, Jorma Kaukonen, Chris Thomas King, Leadbelly, Robert Lockwood Jr., Taj Mahal, Brownie McGhee, Blind Willie McTell, Bonnie Raitt, Tampa Red, Keith Richards, Jerry Ricks, Jimmy Rogers, The Rolling Stones, George Thorogood, Muddy Waters, Phil Wiggins, Lucinda Williams

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Producer's Notes
Episode 4: “Standin’ at the Crossroads”

As this episode makes explicit, the crossroads as a literary device is based on centuries-old legends about choosing God or the Devil: picking the path on which to travel life’s journey. But if you will allow me to retort, the paths don’t seem to cross but instead run parallel for the entire length. Most people seem to walk the greenbelt in between.

This show contains examples of Blues and Gospel music occupying opposite sides of the same road, and two notable examples did not make the final edit of the program. The first is a music comparison I discovered: “What Do You Think About Jesus (He’s All Right)” sung by the Memphis Pentecostal Congregation and recorded by Alan Lomax in the 1950’s, has a remarkably similar rhythm to B.B. King’s 1966 “Sloppy Drunk” (‘I’d rather be sloppy drunk/ Than anything I know…’). Exactly the same beat, exactly the same tempo, and very nearly the same key, as if the two songs were traveling the same path to different ends.

Similarly, Solomon Burke related a story about the recording of one of his signature songs “Everybody Needs Somebody to Love” for Atlantic records in 1964. The producer, Jerry Wexler, heard a demo of the song and shook his head: the song will never work. Burke insisted. “This is a very important song. It’s a march in my church. It works all over the country. I mean, people get up and give money. This is the song.” Wexler eventually assented to the wisdom of the church and the song became a minor R&B hit, later covered by the Rolling Stones and the Blues Brothers.

Peter Crimmins
Senior Producer
Ben Manilla Productions


Citations:

Papa Too Sweet and Harry Jones, with Tampa Red and Georgia Tom, "(Honey) It's Tight Like That", Tampa Red: The Guitar Wizard (CK 53235), ©1994 Columbia | Buy »

Tommy Johnson, "Big Road Blues", Complete Recorded Works 1928-1929 (DOCD 5001), ©2000 Document Records | Buy »

Robert Johnson, "Cross Road Blues", The Complete Recordings (C2K 46222), ©1990 Columbia | Buy »

Blind Blake, "Diddie Wa Diddie", Roots of Rock (Yazoo 1063), ©1991 Yazoo

Robert Johnson, "I'm a Steady Rollin' Man", The Comlete Recordings (C2K 46222), ©1990 Columbia Records | Buy »

John Cephas and Phil Wiggins, "Louise", Goin' Down the Road Feelin' Bad (Evidence 26093), ©1998 Evidence | Buy »

Robert Johnson, "Love in Vain", The Complete Recordings (C2K 46222), ©1990 Columbia Records | Buy »

John Cephas and Phil Wiggins, "Mamie", Recorded Exclusively for The Blues, ©2003 Experience Music Project and Ben Manilla Productions

Eric Gales and Norris Johnson, "Me and the Devil Blues", Hellhound on my Trail: Songs of Robert Johnson (Telarc CD 83521), ©2001 Telarc | Buy »

Leadbelly, "Midnight Special", Good Morning Blues: The Essential Recordings of Leadbelly (IGOCD 2007), ©1994 Indigo Records | Buy »

Blind Willie McTell, "Statesboro Blues", Roots of Rock (Yazoo 1063), ©1991 Yazoo



Major funding for the radio series comes from Volkswagen.

The Blues is a co-production of EMP Radio and Ben Manilla Productions, in association with WGBH Radio, Boston. Produced by Peter Crimmins and Matt Bauer. Executive Producers: Robert Santelli and Ben Manilla. Executive in charge for WGBH Radio: Robert Lyons.

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